Ah, what fun one can have on a sunday night with some cardboard and a roll of adhesive tape. I was sitting thinking, in the special thinking room on that special thinking seat and wondered whether, if i had any sort of voice for singing, I could have been the front man for a group.
The guitar really is just cut up and taped together from a cardboard box I had brought home from the supermarket a few months ago for another project, and it has been acting as a stand in the wardrobe for another box I brought home at the same time but which my wife now keeps her supply of funky new belts in. Of course, in the excitement of taking the picture, I actually held it the wrong way around, so some editing was necessary - and while I was at it I gave it a very 1970s flare, and went green this time.
As I have mentioned before, I don't buy props, I just use what is around me. I might add that the guitar looks a LOT better in the picture than it does in reality, it's cardboard color for a start, and doesn't have any knobs on.
If you are going to make prop, don't make it perfect as the eye is good at spotting imperfections in detail: while a few broad strokes to indicate something and the brain fills in the details itself. The chances are, if I had not mentioned the guitar but talked about something else, you would have assumed I really had a guitar. You might also have assumed that I could play the guitar, which I can't. I could have just posted these rocker images and said that I had a jamming session, and you would have believed that as well, if you didn't know me. Remarkable, but true.
Sunday, October 11, 2009
051 - Rock Guitarist
Sunday, September 28, 2008
069: Rocker
Attention Whores
Anyone can be a star in their own bathroom, but I wanted to experiment with the concept. Forget the air guitar, let's make us a guitar and then some noise! Everything was just lying around at home, just waiting, and some of it has appeared before in other guises. If you want, you can have a front row seat, I'll be signing autographs at the end of the show.
When you buy things, like clothes or ornaments, try an avoid things that have a single use, it either ends up gathering dust in your wardrobe or on that shelf. Shelves are the ultimate death for objects - once there they lose any function other than as three-dimensional wallpaper. Finding your art means getting involved in your life, and that means getting better acquainted with all those objects that you surround yourself with. Remember, if you buy something because you think it makes you look cooler in others eyes, give it to them because it is not you.
Wednesday, July 2, 2008
Practical Application
My suggestion is that we try looking at our lives in a different way. The idea that we can 'fix' our lives is what I call the Golden Age Dream, where we can achieve some level of perfection as described by one of those fake histories which suggests that at some point in the past we were all happy, or your choice of magazine or film and the perfect life in another country or in a different income bracket they describe. There is also the Me Spiritual approach where, instead of our problems being magicked away, we accept them all with equanimity, as we float above our lives, rippling away from all the punches. The truth is that we are not these people, because their lives do not exist. We are each a watery punchbag where the best we can hope for is better damage limitation and a little wisdom.
The first thing is that we are limited by a small brain that we starve regularly of food, sleep and love, while just as frequently expect it to deal with overdoses of sugar, alcohol and overwork. Even under the best circumstances, it will not remember everything for us when we need it, and changing the way we that we think is not easy, even with professional help. But your brain is your best friend, and what friends like most is when you play with them. Playing is one of the most undervalued methods of improving our lives, in fact it is potentially the most powerful way we have of permanently improving ourselves. Sadly, as we mature we are pushed away from toys and play, and are told that playing is not serious enough. This is particularly prevalent among women that I come into contact with here in Poland, for some reason, where 'running the home', 'bringing up family' or 'doing my job' are the the antipathy of play. I wonder if the same is true of stay-at-home fathers?
Play is the way the brain learns, increasing its store of knowledge, it's ability to understand and to control our bodies with a higher degree of skill or even new skills. The more new things that our brains have to learn, the slower it will degrade over time and the more likely that we will be able to cope with changing circumstances. Play in the workplace is generally frowned upon, it does not appear to generate income and in fact is considered to be a waste of resources. What is going wrong is that we will not take play seriously as an essential learning process, we do not learn how to manage it properly. And when a course comes up that could be useful in the eyes of the employer, employees often do not take the course content seriously because they cannot accept that aspect of play which is the acquisition of abstract, non-job-core or non-traditional knowledge. Putting the training into use may mean a change to some non-serious techniques or the acceptance of non-traditional processes and a resulting exclusion from the group of tradition-users.
This exclusion from the group of tradition-users is like asking a sheep to suddenly become a lone wolf or a football supporter to change teams, to no longer be one of the old herd. Play is one route out of this herd instinct, giving us the opportunity to learn confidence for when we nee to move into new circumstances. This is not something that we can go on a training course for, it is something that, where possible, is practised in the environment where we want the change to occur. Changing jobs within one organisations is similar to playing, and there is no reason why people cannot temporarily swop jobs that are geographically close or where sufficient support is given. Surviving in the new environments for a day or a week is like a game, and along with the confidence building there is a genuine opportunity to learn about how other job processes function and to exchange ideas and views about the jobs.
One weakness of most organisations is that the management never really know what their staff are truly capable of, but by moving people around and creating other types of play, managers can see their staff operating outside of their own area, as can the staff themselves. Not everything that we do at work is something that we have trained for. A lawyer does not spend all day with law, there are other tasks such as report writing, moving furniture around, organising bookmarks on the computer, and other things that it is not practical to go on a training course for. But what if our best report writer is working down in accounts, the janitor has an eye for office aesthetics, or that office manager two floors away could show us a more effective way of keeping our bookmarks - it is unlikely that they are going to write a memo about it, and if we do not here about it on the grapevine and have the right contacts, well, it just does not happen, does it.
Gossip is a form of social play, engaged in by most people and too often the only way that you get to hear about things - it is rarely well enough accepted to be effective, but without it many companies would be in serious trouble because the ability of most managers to communicate is from poor to abysmal. The role of the manager is seen as someone who makes decisions because they have a more global view, but they make decisions based on things their underlings do and which as a consequence they do not understand nearly as well as they imagine they do. The role of the manager is to make things happen, which means being a communication channel that functions equally well in all directions and keeps employees and management adequately supplied with job specific and general company information.
Play should not just happen when the serious work is done, although there is nothing wrong with doing it then. It should also be practised deliberately, during normal working time, although not perhaps during a panic unless we have a solid and reliable methodology for dealing with the resulting problems. This solid structure is largely unexplored, remaining out of practical reach unless we start to explore the potential.
At the end of the day, I continue to play and to experiment, allowing myself to move slowly into new areas. This blog is a visible sign of my intention to play with writing and with philosophy, and already I am using what I have learnt here in other parts of my life. That is good, and about the best that I can reasonably expect from a self-start project, and although the opportunities it might create in the future could change my life, I play for the benefits I can achieve in the now and the near future because these are important times as well.